Catalog (369)

Rare Large Edo Period (circa 1830-1860) Japanese Gosho Ningyo Depicting a Sumo Wrestler, clothed in exceptional finely embroidered textile with a floral design and Shishi (guardian of Buddha) on chirimen silk crepe. This large scale, wood-carved Ningyô has a beautifully rendered expressive face lacquered with Gofun (Oyster Shell). The pose is most striking, as well. Really an extraordinary find for the Ningyô enthusiast. 18 inches, 46 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Extremely Rare 18th Century Japanese Musha Ningyô (Boys Day) Dolls, Samurai Set. Ningyô this early almost never appear for sale, much less with all of its original accessories, as we have here with this very fine, scarce, museum quality pair. We are very proud to offer this set. They have finely carved faces, and are lacquered with many coats of Gofun (Oyster Shell). They are adorned with sumptuous silk brocades and silk armor, indicative of mid Edo Period Ningyô artists. This set is a treasure of great importance for the most discriminating collector. 24 inches (61cm). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Large Meiji Period (circa 1900) Japanese Arita Porcelain Charger. Blue and white with gold accents, featuring an elegant stylized landscape and using sticking glazes to create a wonderful work of art. 16 inches, 41cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

Rare, Early Japanese Satsuma Censer. A fine example of Satsuma ware with beautiful complex underglazes of gold, red, blue, green and white, and featuring auspicious Crane and Floral motifs, creating a beautiful design on a gorgeous shape with stunning handles and cast silver top of raised flowers. A great find for the Satsuma collector. Late 18th Century Edo Period. 3 inches (7.5cm)h, 4 inches (10cm)w. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony. It is related to a folk ritual in which an ancient god brought blessings to the people, and was seen as a prayer for many descendants, peace and tranquility in the land, and bountiful harvests. 16.5 inches, 42cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A Splendid Meiji Period Kyo Satsuma Vase with overglaze enamel decoration by the very well known potter, Taizan Yohei IX, and one of the Meiji Period's foremost painters, Kono Bairei. cf. Meiji Ceramics by Giesela Jahn, page 157, figure 81. Taizan was a renowned Kyoto potter who exhibited and won prizes at a number of international events, including the 1893 Chicago World Expo. This is a very good example from a great potter of the Meiji Period, with auspicious symbols of Sparrows, Foliage, and Gourds beautifully composed on a yellow orca field with raised gold accents, the choice of colors and wireless technique enhancing its mystical feeling. 10.5 inches (27cm)h. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Kamakurabori Lacquered Box by Kasen, with a design of Peony and Shishi, Buddha's Guardian Protector. Gorgeous rich red lacquer intricately carved in high relief. A superb example that is rare for its size, quality, and superior technique. Meiji Period, circa 1890. 13 inches x (33cm) long x 11 inches (28cm) wide x 6 inches (15cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A unique early Japanese Ikebana Basket with a rich camel colored bamboo entwined with Wisteria vines with a single, beautifully twisted and gnarled Wisteria branch. Highly sought after by the discriminating basket collectors. Edo Period, circa 1850. 14 inches (35.5cm) tall x 12.5 inches (31.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of Important 18th Century Edo Period Cricket Cages of museum quality, made for upper class or royalty. They are exceptional in every way. The Bamboo bars and Mother of Pearl inlay are of the finest Japanese craftsmanship, as are the Wisteria wood cases and red lacquered feet. Work like this is extremely rare and highly treasured in Japan. This is a unique opportunity to own an extraordinary work of Japanese art. 9 inches (23cm) tall x 8.25 inches (21cm) wide x 5.75 inches (14.5cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; and Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976.

Please see the recent Ceramic Monthly cover story on Michael Gustavson, at gustavsonstudios.com Collectors of Gustavson know that his early pieces, like this one, "Wedges" from 1986, are some of his best work, and are all the more valuable because they are hard to find. This is likely the finest example of his early work that is available today. This extraordinary raku vessel has had only a single owner from the day it was created over 20 years ago. Height: 26.5 inches (67.5 cm), Width: 22 inches (56 cm)

This is an excellent example of an early 20th Century Japanese Hand Woven Bamboo Basket. Very Good Condition. Height: 15.5 inches (39.5cm), Circumference: 42.5 inches (108cm).

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 9.25 x 3 inches, 23.5 x 8 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and beauty and lots of personality, and of course now make great decorative objects. In the West, there were no carpentry tools in which the ink well, marking thread, winding wheel, and stickpin were united into one piece. This tool played a pivotal role in the development of Japanese architecture. They are beautiful hand carved sculpture and works of art in their own right. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 8.25 x 3.5 inches, 21 x 9 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and beauty and lots of personality, and of course now make great decorative objects. In the West, there were no carpentry tools in which the ink well, marking thread, winding wheel, and stickpin were united into one piece. This tool played a pivotal role in the development of Japanese architecture. They are beautiful hand carved sculpture and works of art in their own right. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

14 Original Woodblock Prints by Ogata Gekko, Japan's First Internationally Acclaimed Artist, beautifully housed in this handsome volume, The Floral Art of Japan, published in 1899. Cover is in Good Condition, but the prints inside are the most pristine, well preserved 19th Century prints we have ever seen. Book prints like these are generally exposed to less light than most prints, thus better preserving their colors, but this copy of this book is quite exceptional even by those standards, making it a rare and valuable reference to compare to other antique prints, as the colors are more vivid then anything of this age that you will likely ever see. For example, the dark purple in the flowers in Enlargement 2 has faded away in any other copy of this book that we have seen, but in this copy it is as vivid and bold as it was the day it was printed. This is easily one of the greatest bargains for collectors of Japanese art. You get 14 very rare and beautiful woodblock prints, by a Japanese Master of the Meiji Period, that have seen almost no light, so the colors are as vivid as the day they were printed. The beautiful gilt decorated front and back covers are also by Gekko. All the woodblock prints are signed and are on Japanese vellum, protected by tissue. The covers are in fine green cloth with gilt lettering and gilt decoration. The prints are magnificent, depicting not only the Japanese flowers and floral art, but also the customs, costumes and people of 19th Century Japan. 137 pages of text with 39 illustrations within the text, plus 8 pages of appendix. There are also 124 black and white plates. 14.5 x 11 inches, 37 x 28 cm. In addition to the gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century.

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!

This striking black and gold Japanese antique shop sign is from a Meiji Era (1868 - 1912) headquarters for a drug store chain. It dramatically declares that this shop carries the best elixirs for vitality, the best remedies for high blood pressure, and the most expedient cures for fever. 17.5 x 41 inches (44.5 x 104 cm). Excellent Condition.