Catalog (369)

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holding a wild peach branch and Kintaro is in a sumptuous silk textile matching her Obi. She is wearing gorgeous textiles and beautiful tied hair of silk. Her face and bust are of the highest quality burnished gofun, creating her beautiful spirit face. She is sitting on a peach silk pillow. Displayed on a fine black velvet display stand. Overall dimensions: 11.5 x 8 x 8 inches, 29 x 20.5 x 20.5 cm; Yumauba: 10 x 7 inches, 25.5 x 18 cm. Fine Condition.

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpiece by this great artist. 11 x 7.5 inches, 28 x 19 cm. Excellent Condition. Signed with original box and inscriptions on the lid of the box.

Extremely Rare 18th Century Japanese Musha Ningyô (Boys Day) Dolls, Samurai Set. Ningyô this early almost never appear for sale, much less with all of its original accessories, as we have here with this very fine, scarce, museum quality pair. We are very proud to offer this set. They have finely carved faces, and are lacquered with many coats of Gofun (Oyster Shell). They are adorned with sumptuous silk brocades and silk armor, indicative of mid Edo Period Ningyô artists. This set is a treasure of great importance for the most discriminating collector. 24 inches (61cm). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A very important find and a great day for the serious Satsuma collector who acquires this exceedingly rare pair of plates of breathtaking beauty, detail and color by the renowned Satsuma Master, Ryozan, depicting the two Goddesses of the Seven Lucky Gods, Benzai-ten and Kichijo-ten (Kichijo-ten sometimes replaces Fukurokuju in portrayals of the Seven Lucky Gods). These Goddesses of Good Luck, Happiness, and Learning are patrons of geisha and artists and are venerated by speculators, entrepreneurs and tradesmen who pray for luck in business and love. This is a one-of-a-kind portrayal and format by Ryozan, one of the foremost Satsuma artists of 19th Century Japan. 9 inches, 23 cm. Excellent Condition.

A very rare Momoyama Period masterpiece Japanese two-panel screen with chrysanthemum and other flowers and foliage. Exquisitely painted on gold leaf, with original sumptuous silk brocade. 72w x 21h inches, 183w x 53h cm.

Large Meiji Period Bunraku Puppet of Tokagawa Ieyasu. Extremely rare on this grand scale (4 feet high, 122 cm). This fine quality puppet was possibly made at the request of the puppeteer Kiritake Monjuro II, as the hero in Bunraku plays. It has a fantastic dynamic presence, and is carved of Poloma wood covered in gofun (oyster shell lacquer) featuring sumptuous silk brocades with Tokagawa crests and dragons.

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 4 x 2.75 inches, 10 x 7 cm. Very Good Condition.

Extremely Rare Hina Kazari. This the only complete set we have seen accept for a set that was sold at auction in Japan. They are presented on a sundry. The set features an Empress and Emperor, three Court Ladies, and five Musicians. Meiji Period. Fashioned of silk crepe with beautifully painted faces. Figures range from 4 to 5.5 inches high (10 to 13.5 cm). Overall dimensions: 28.5 x 23 inches, 72.5 x 58.5 cm. Excellent Condition.

Japanese Carved Wood Seated Figure of an Ascetic (fasting Buddha). This early Edo Period 17th Century piece is a magnificent work of sculpture with dry lacquer surface and some color with gold lacquer on the stand. He presents a haunting spiritual aura and has the desired sheen for carvings of this age. We are proud to offer this important museum quality masterpiece. 9.5h x 7w x 5d inches, 24h x 18w x 13d cm.

Very Rare Early Edo Period (early 17th Century) Japanese Lion Mask for the Gion Festival. It would have been part of a two man costume, one man holding the mask and the other at the back covered by fabric to perform the traditional Lion Dance. To find this mask from such an early period is really quite an important find for the serious mingei collector. 12 inches (30.5 cm)h x 10.5 inches (27 cm)w x 11 inches (28 cm)d. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Yukimi Gata Toro (Lantern for Snow Viewing) that was used in the winter. Iron and Sheet Metal with a very rare Double Roof design. A rare and unusual Edo Period example for the serious collector. 12.5 inches (32cm) high x 10.25 inches (26cm) wide.

Yukumi Gata Toro (Lantern for View of Floating) that was used near water. Iron and Sheet Metal with a very rare Double Roof design. The door panels are in the shape of bamboo trees, the ancient Japanese symbol of resilience. A rare and unusual Edo Period example for the serious collector. 15 inches (38cm) high x 10.25 inches (26cm) wide.

A sublime and very rare 10th-12th century Heian Period Japanese Jizō Bosatsu wood sculpture. 8 inches (20cm) high x 6 (15cm) inches wide.

18th Century Edo Period Saga Ningyo of a young boy holding a rooster in one hand and a scepter in the other. His head bobs while his tongue goes in and out. Carved entirely of wood, his robes are built up with pigments in a technique called 'moriage'. He has a gorgeous blue outer robe decorated with foliate scroll slightly raised in relief. His inner robes are brown with shaped roundels of geometric patterns and cloud shapes. This rarest of all Ningyo forms almost never comes up for sale and are almost never seen except in museums or important private collections. Saga Ningyo are considered the "holy grail" of Ningyo. They were first produced in the early 17th Century. 10.75 inches (27cm) tall. Fine condition with original box and documents.

Very Rare and Fine Antique Japanese Basket by Suiko. Top Quality Artistry and Workmanship. This very basket is often imitated (the greatest form of flattery) and is widely known because of the copies, but now you have the rare opportunity of owning the signed original. Truly a remarkable find. 20 inches (51cm) high x 10 inches (25.5cm) wide.