Catalog: Antiques: Regional Art: Asian: Japanese: Lacquer (9)

Taisho Period (1912-1926) Gold and Black Lacquer Obento Lunch Box/Picnic Box filled with symbolism of eternal love. The deer and crane are symbols of longevity, and when they are paired they are symbols of eternal love. The pine tree is also a symbol of longevity. The pastoral scenes and gold flowers are beautifully rendered in gold lacquer on black lacquer. The handle is in the form of a pair of dragons. 14w x 12h x 7d inches, 35.5w x 30.5h x 18d inches.

A Group of Japanese Meiji Period Gold Lacquered Wood Lotus Blossoms. They were displayed on the altar of a Buddhist temple and represent rebirth and the cycle of life. Each flower is depicted in a different state of maturity. Late 19th Century. Height of the tallest flower: 30 inches (76cm).

19th Century Meiji Period Black and Gold Lacquer Box. Features a stunning design of wonderful lacquer techniques. Though large it is very delicate in its presentation of leaves, flowers and branches. 13.75w x 11d x 6h inches, 35w x 28d x 15h cm.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

19th Century Meiji Period Japanese Black Lacquered Box with River, Bamboo, Flowers, and Fireflies. A gem of high quality with gorgeous fine details. 9.25 x 6.75 x 1.5 inches, 23.5 x 17 x 4 cm. Excellent Condition.

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

Important pair of very large Late Edo Period (19th Century) Japanese Carved Lacquered Panels. This work of art is of the highest museum quality. Works like these are usefully found in only in major museums and prominent private art collections. We are proud to offer this spectacular masterpiece. They feature four mythological and historical figures in relief, lacquered in the most amazing techniques. Framed with beautiful red lacquer that is part of the panel. 41.5 inches (105.5 cm)h x 33 inches (84 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

Japanese Kamakurabori Lacquered Box by Kasen, with a design of Peony and Shishi, Buddha's Guardian Protector. Gorgeous rich red lacquer intricately carved in high relief. A superb example that is rare for its size, quality, and superior technique. Meiji Period, circa 1890. 13 inches x (33cm) long x 11 inches (28cm) wide x 6 inches (15cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.