Catalog: Antiques: Regional Art (346)

Okame, the Goddess of Mirth, is commonly paired with Usobuki in Kyogen theater. This is a rare and old pair of Okame and Usobuki ceramic figures. We have the original receipt from Things Japanese 20 years ago. We are asking the same price as the price on the receipt from 20 years ago. 6 inches (15 cm) tall.

Japanese Edo Period Four Panel Screen Painting of a Court Scene. This elegant image is finely painted with floating gold leaf clouds, pine and willow trees, and brings the viewer into the intimacy of the court chamber. The figures are wonderfully animated with expressive faces. 100.5 x 36 inches, 255 x 91.5 cm.

Pair of Carved Wooden Koma Inu Temple Dog Figures, each seated in the traditional posture. These are a very rare find from the early Heain Period, and could be even earlier, possibly Nara Period. The wood is aged to a beautiful patina. There are not many works of art of the period that come up for sale. There has been some conservation and restoration to stabilize these fantastic and rare pieces. 18.75 and 17.5 inches (47.5 and 44.5 cm) H, 13 and 12 inches (33 and 30.5 cm) W, 10 and 9 inches (25.5 and 23 cm) D.

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro". The "Ro" is a special, uniquely woven fabric. Common embroidery stitching technique utilizes threading through holes but Rozashi stitching must always be straight and can never be diagonal. This is an amazing masterwork, inspired by an Eisho Narazaki (1864-1936) wood block print. Frame: 22 x 17 inches, 56 x 43 cm; Embroidered Panel: 17.5 x 12.75 inches, 44.5 x 32.5 cm.

Rare Kamakura Period Sculpture of a of a Nio Guardian King exhibiting power and fierceness. According to Japanese tradition, they traveled with the historical Buddha to protect him. Within the generally pacifist traditions of Buddhism, stories of Niō guardians like Kongōrikishi justified the use of physical force to protect cherished values and beliefs against evil. It is rare to find such an early example. Carved wood and lacquer with some imperfection and losses, as with most works of art surviving the period. 20 inches, 51 cm.

Fine Late 19th Century Bunraku Puppet of a Sambaso Dancer. This rare Bunraku puppet is operated by three Puppet Masters, who make it come to life to present a magical theatrical experience. He is carved of wood and covered with Gofun. He wears a beautiful Robin egg blue and Saffron orange robes. His head is adorned with a silver and black hat featuring a rising sun. He is holding bells and a fan. 24.5 inches, 62cm.

Next to the Kabuto (Helmet), one of the most expressive parts of the Samurai's Armor is the Face Mask. This Middle Edo Period metal "armor for the face" is known by many names: mengu, menpo, mempo, men yoroi, katchu men. Menpo means "face and cheek" and is generally used for masks with nose pieces. This menpo is covered with a high quality gold lacquer. The inside is a negoro-like finish of red lacquer. Sporting a fantastic horse hair mustache. Obviously constructed by a highly skilled craftsman. 7w x 5.5h inches, 18 x 14 cm.

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. Many Dogu exhibitions have appeared recently: Tokyo National Museum, British Museum of Art, Miki Gallery New York. This one was on exhibit at the Arts of Pacific Asia Show NYC 2010, a vetted venue. 6 inches, 15.5 cm.

Late Edo Period Musha Ningyo of Ushiwaka- maru, a brave boy who grew up to be the great warrior Minamoto Yoshitsune. This is a Ningyo of the finest quality. He has a wonderfully carved face and hands and sports a fantastic hair style and has a beautiful costume of sumptuous brocades. 8h x 6.75w inches, 20.5 x 17 cm.

Extremely Rare Edo Period Isho Ningyo Pulling a Wagon with a Crane. Early 18th Century Ningyo like this very rarely come up for sale. This Isho Ningyo is special, as it resembles a Karakui (mechanical) Ningyo. This important Ningyo has a classic face with painted features, sumptuous embroidered textiles, and is pulling a cart that has a crane inside. It stands on a lacquered base. A similar example is in the Homa Museum in Japan. 14.5h x 9.5w inches, 37h x 24w cm.

Late Edo Period Takeda Ningyô of Kabuki Actor Dolls Portraying Benkie and Yoshitune. It is rare to find this type in such fine condition. This wonderfully mesmerizing work of art is so striking in its posing and expression, positioned on a lacquered and wood platform. A fascinating find for the Japanese theater enthusiast. 14h x 23w inches, 35.5h x 58.5w cm.

Rare Edo Period Kokin-bina Style of Empress & Emperor. Minor wear, fading to textile, otherwise fine condition. A classic, very early example of a Dairi-bina Imperial Couple for the Hina-matsuri Girl's Day celebration. The Emperor and Empress are seated atop a woven ungenberi fronted dais. They are a very fine early example. The emperor is wearing a lacquered court cap and tail, holding a shaku scepter, the me-bina lady is wearing a spectacular crown, and has a fabulous painted fan. All formal court attire. Their presence evokes the period with their gorgeous faces and sumptuous brocade and accessories. They are a masterpiece of the art of Ningyo. 19h x 35.5w, 48h x 90w cm.

Exceptional Gonin Bayashi Five Musician set for the Hina Matsuri (Girl's Day) celebration. Just a wonderful grouping: a chanter, flute player, two hand drummers and a floor drummer, each with an expressive and well-modeled face, finely carved fingers and hands in precise gestures for their individual instruments, sumptuous silk brocade costumes, short swords, silk fiber hair, and large inset glass eyes. They are of the finest quality. 7 inches, 18 cm tall.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari and Inari’s foxes must therefore be placated -- otherwise it would be disastrous to the livelihood of the nation’s farmers and people. One fox has a jewel (houju) in his mouth, and the other carries in his mouth a letter (makimono), fulfilling his role as a messenger. These striking sculptures will transcend any room with their beauty, charm and elegance. 22 inches, 56cm tall.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 17.5 x 12 inches, 44 x 30.5 cm, Mounting: 21.5 x 16.25 inches, 55 x 41 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 13.5 x 9 inches, 34 x 23 cm, Mounting: 17.75 x 13.25 inches, 45 x 33.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 11.5 x 5.75 inches, 29 x 14.5 cm, Mounting: 15.75 x 10 inches, 40 x 25 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 8 inches, 24 x 20 cm, Mounting: 13.75 x 12.25 inches, 35 x 31 cm.