Catalog (5)

Rare Artist's Proof by Japanese Woodblock Print Artist, Gen Yamaguchi (1896 - 1976): Poetry of Early Autumn (1948). Illustrated in Yamaguchi, pl. 61. This is the artist's proof of this image, created for the artist's approval before the set of fifty prints were created. Yamaguchi achieved an international reputation when he was awarded first prize at the International Print Biennale in Ljubljana, Yugoslavia, 1957, and a grand prix at Lugano, Switzerland in 1958. He experimented constantly, manipulating his materials and images as he sought to achieve innovative results. The Gen Yamaguchi Memorial Prize is now a top prize in Japan for woodblock print artists. Frame: 19.5h x 18w inches, 49.5 x 45.75 cm; Print: 11h x 11.25w inches, 28 x 28.5 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Rare Image by Japanese Woodblock Print Artist, Saito Kiyoshi (1907 - 1997). The Saito Kiyoshi Museum in Japan is devoted entirely to the work of this artist, and his work is in many other museums, including the Cincinnati Art Museum, the Philadelphia Museum of Art, and the Art Institute of Chicago. His work was exhibited at the Salon Printemps in 1948, and in 1951 he received first prize at the inaugural Sao Paolo Bienniale. Influenced by Piet Mondrian, Pablo Picasso, Henri Matisse, Wassily Kandinsky, Paul Gauguin, Odilon Rodin and Edvard Munch - among other famous artists, his unique images combine traditional Japanese elements with Modern, Cubist, Abstract and Impressionist qualities. Frame: 26.5 x 21 inches, 67.25 x 53.25 cm; Print: 22 x 16.5 inches, 56 x 42 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

An extremely rare late Edo Period (circa 1860) Japanese albumin hand tinted photograph of a young foreigner dressed in a samurai's clothes. The art of portrait photography was brought to Japan in the late Edo Period by European photographers who first introduced photography to the Japanese. Westerners were fascinated by Japanese style and culture. They dressed up as Samurai and Geisha to pose for a photographic portrait. This early piece is a rare find for the photography collector. It is of artistic and historic importance. Image size: 41 x 18 inches, 104 x 46 cm.

14 Original Woodblock Prints by Ogata Gekko, Japan's First Internationally Acclaimed Artist, beautifully housed in this handsome volume, The Floral Art of Japan, published in 1899. Cover is in Good Condition, but the prints inside are the most pristine, well preserved 19th Century prints we have ever seen. Book prints like these are generally exposed to less light than most prints, thus better preserving their colors, but this copy of this book is quite exceptional even by those standards, making it a rare and valuable reference to compare to other antique prints, as the colors are more vivid then anything of this age that you will likely ever see. For example, the dark purple in the flowers in Enlargement 2 has faded away in any other copy of this book that we have seen, but in this copy it is as vivid and bold as it was the day it was printed. This is easily one of the greatest bargains for collectors of Japanese art. You get 14 very rare and beautiful woodblock prints, by a Japanese Master of the Meiji Period, that have seen almost no light, so the colors are as vivid as the day they were printed. The beautiful gilt decorated front and back covers are also by Gekko. All the woodblock prints are signed and are on Japanese vellum, protected by tissue. The covers are in fine green cloth with gilt lettering and gilt decoration. The prints are magnificent, depicting not only the Japanese flowers and floral art, but also the customs, costumes and people of 19th Century Japan. 137 pages of text with 39 illustrations within the text, plus 8 pages of appendix. There are also 124 black and white plates. 14.5 x 11 inches, 37 x 28 cm. In addition to the gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century.

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!